24 hour clock/coverlet/sculpture; silk mesh with alpaca clock faces, metal time indicators; machine knit, hand and machine sewn, hand appliqué. 62" (157cm) x 92" (233cm).
Under the sculpture.
The Soul In Limbo, 2015; Jennifer Tee, winner of the 6th Cobra Prize, Cobra Museum of Contemporary Art, Amstelveen, Netherlands.
A survey of our long collaboration.
Hand EVERYTHING Throw, 2015
Softly sustainable. Hand spun, plant dyed, knitted, sewn; 46" (116 cm) x 52" (132cm). Cotswold, île-de-France/Llanwenog fleeces; all are rare breeds. The Cotswold resides at The Queens County Farm Museum, NYC.
american Juju for the Tapestry Of Truth, 2015; Teresa Margoles: We Have A Common Thread; Neuberger Museum of Art, Purchase, N.Y.; Michelle Bishop, Sahara Briscoe, Laura Gadson, Jerry Gant
Mixed media on stained textile produced by an imprint technique on the spot in Staten Island where Eric Garner died while being placed under arrest. 66 x 98 inches (168 x 249cm). My contribution is "Conni Maculata" my patron saint for female victims of police violence, top left. Photography by Jim Frank. Courtesy of Teresa Margolles and Galerie Peter Kilchmann
Pointing Is Not The Moon, 2015; Merton Simpson Gallery, New York City; Tyrone Mitchell, Artist
Painting on wood. Airbrush, stencil, paintbrush (in a departure from fiber).
Coltrain's Horse, 2012; Merton B. Simpson Gallery, Tyrone Mitchell, Artist
Wood, attached Kuba cloth and Paint 73 × 22 in.
"NONA 2" 2014, Crystalline Floorpiece Series; Jennifer Tee, Artist
The second of two. 100% wool; machine knit and sewn; 86 - 3/8" x 69 -1/4" (219cm x 175cm).
"NONA 1" 2014, Crystalline Floorpiece Series; Jennifer Tee, Artist
The first of two. 100% wool; machine knit and sewn; 86 - 3/8" x 69 -1/4" (219cm x 175cm).
Occult Geometry 2014, presented at Kunsthal Charlottenborg, Copehagan, Denmark
The floor sculptures, transformed with kaleidoscopic crystal into a space for meditation.
A Woman's Mind Is Like A Room; 2012, Jennifer Tee, Artist
Performance on Violamine Crystalline Floorpiece by Miri Lee at the International Studio & Curatorial Program, Brooklyn, New York. 100% wool, hand-dyed with custom colors; machine knit, hand and machine sewn; 82" point to point (210 cm).
Gridding Sentences 2011; Stedelijk Museum, Amsterdam, Netherlands; Jennifer Tee, Artist
Crystalline Floor Piece/ Hexagonal/V shaped (1+ 2); designed to be reconfigured for the support of a performance. 100% wool; machine knit, machine and hand sewn; each rug is 9' x 12' (274cm) x (365cm).
Star Crossed 2010, Crystalline Floorpiece Series; Jennifer Tee, Artist
The first of the Crystalline Floor Piece Series, a constellation of five hexagon shaped works. 100% wool, machine knit, sewn. 108" (274cm) point to point.
Modern Shunga 2014; Commissioned by Irene Lozach
Handmade wedding book (cover pictured). Hand and machine sewn, crochet, applique, printed, painted, quilted, embroidered; mirrors; velvet, wool, leather, metallic thread, satin lining. 17" x 13" x 7" (43cm x 13cm x 18cm).
Modern Shunga 2013
Pillow view. Seven double page pillows connect to form an accordion style book form. The pillows each are 11" (30cm) x 13" (33cm).
I revere time honored methods and tools to make works that can transcend its time; it is fascinating. The historical honor (for me) is in its *staying power.*